Theater of the Oppressed as a Facilitator of Psychosocial Rehabilitation of People in Psychic Suffering Teatro do Oprimido Como Possibilitador da Reabilitação Psicossocial de Pessoas em Sofrimento Psíquico

The objective is to evaluate the repercussions of the Theater of the Oppressed (OT) on the daily life of people suffering from psychic suffering from the Psychosocial Care Center (CAPS) I in Cuité, Paraíba-PB. This is an intervention research with a qualitative approach, carried out with fourteen CAPS users. The data were collected from June to July 2014, through semi-structured interviews and then submitted to the content analysis proposed by Bardin. OT was an important therapeutic resource and benefits were observed such as: expression of feelings of trust, joy, satisfaction; rupture of fear, timidity and afflictions; strengthening dialogue; discovery of new values and attributes of citizenship; improvement in the quality of sleep and rest; and desire for social rehabilitation. It is concluded that OT offers a care constituent of new practices and knowledge directed to the protagonism of the user in the conjuncture of the art of caring.


Introduction
Every which it is urgent to seek technical and scientific answers that do not disqualify or punish those who already face limits to understand the world (2) .
To that end, the creation of substitutive services to psychiatric asylums, the Law helped in a way, since it redirected the assistance (5) .
However, in the search for the social inclusion of the subjects in psychic suffering, one of the strategies used as a therapeutic resource is the formation of groups, with the purpose of enabling interactive exchanges, exploration of subjectivity and strengthening of relationships (2) .
In health production, CAPS emerges as a space where it is possible to establish light technologies to establish a differentiated care for those in psychic suffering, such as home visits, therapeutic workshops, group activities, play activities, among others. Art is present in this context of care production, since it constitutes a producer of subjectivity, a catalyst for affection, as a means of production and social insertion (2) .  (8)(9) .

Method
The present study is an intervention research with a qualitative approach, which was performed with individuals with psychological distress, who make use of a mental health service.
They are called interventions, the interferences (changes, innovations), carried out by researchers. Such interferences are planned and implemented based on a certain theoretical framework and aim to promote advances, improvements in these practices, as well as to test such reference, contributing to the advancement of knowledge (12) .
Intervention research, considered as a variable research method of action research, is not only constituted by action or participation, it is an experimentation of the real situation, allowing the researchers to intervene in a conscious way (13) .
In this sense, intervention research seeks to follow the daily practice, creating a problematic field so that meaning can be it was organized into categories (15) .

Results and Discussion
Using the content analysis, the data obtained were constituted in four thematic categories: these individuals tend to close themselves to the outside, fearing that they will not be accepted by society (7) .
Psychic suffering can make it difficult to express expressions. Depending on the pathology, the individual with psychic suffering feels unable to dialogue and make themselves understood. Through activities of an artistic character, like the theater, what appears to be inexpressible, finds a way of expressing itself (16) .
Theatrical plays help in the process of "de-mechanization" of the body and mind, which are entirely linked to the repetitive tasks of the human being's daily life. The body acts directly on the thought. A private body structure will directly reflect and influence thinking (9) .
"Theatrical language" is the human language par excellence, and this language is essential. We have to recognize the importance of the voice, the gestures, the sounds, the body, the emotions, the feelings, the mind, the theater in our daily life.
Individuals who participate in theatrical workshops present moments of freedom of expression, being freed from judgments and prejudices. In addition, they reveal the possibilities they had to live situations that help improve their daily lives (7) .
According to the findings in the well-being and social relationships, such as family and friends (19) .  (17) .
The TO is an important strategy of psychosocial rehabilitation, while through games, exercises and scenarios, shows the ways for users to recover their autonomy and fight for their rights as citizens. In this sense, psychosocial rehabilitation emerges as a fundamental factor in the process of devolution of autonomy to the bearer of psychic suffering, from the moment in which it retakes the activities of the social context and returns their right to citizenship (8) .
The human being must be impelled to expand his potentialities and recognize that he has limits and difficulties that must be faced and assumed, as well as seeking autonomy, which leads him to understand and exercise his role of "social being" capable of experiencing his actions . The TO provides a new way of caring, a more dynamic way in the search for reinsertion and rehabilitation of patients suffering from psychic suffering in society (8,18) .

Conclusion
In the framework of the Brazilian Psychiatric Reform, the dedication to health